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Cream of The Crate: CD's #27 - Red Hot and Blue: Cole Porter Tribute

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  • Cream of The Crate: CD's #27 - Red Hot and Blue: Cole Porter Tribute

    "This album represents an attempt to rediscover and reinterpret classic pop songs of the pre-Rock era in order to rejuvenate contemporary pop music" [Liner notes]


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    CD Cover

    This is number twenty eight in the series of albums I'm featuring as part of an on-going retrospective of CD's in my personal collection. The series is called, "Cream of The Crate (CD's)", and they represent CD albums that I believe are of significant musical value, either because of their rarity, because they represent the best of a style or styles of music or because their is something unique about the group or the music.

    There are many, many CD compilations available as the technology has made such compilations easy to produce, however, this compilation stands out from the rest as it is not a compilation of work from various other releases, but rather, a compilation of artists who have used the work of one of the worlds greatest modern day composers, to not only pay die homage to his genius, but to raise awareness of one of the most insidious modern day diseases - Aids!


    The CD is entitled
    Red Hot and Blue and was released in 1990 on the Chrysalis label (CCD 1799). It has twenty tracks all written by Cole Porter and interpreted by twenty of the top artists of the day.

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    Red Hot and Blue CD


    Before delving into the music itself, it is vitally important to make mention of the man himself,
    Cole Porter. Born in June 1981 (almost 100 after this CD was released), as a Yale Student he began writing songs and despite the wishes of his family he took up music as a profession and although classically trained he moved toward music theater.

    This was not an unusual move as American music at that time was completely dominated by that form. There were almost no records, and where recordings existed the fidelity was almost non existent and so music theater was the mainstay for the American public to meet their needs, and Broadway was the ultimate platform.

    Broadway success meant excellent royalties at a time where pianos and thus sheet music in the home, were as popular as the internet is now.

    By the late 1920's
    Cole Porter emerged as one of the most important composers of the new American generation celebrating the sophistication that the "Roaring Twenties" bought. yet, when that era came to an end it was replaced by the Great Depression and incredible hardship and global political turmoil, all leading inevitably to WWII.

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    Booklet cover

    Porter continued to strive for success buy his life was incredibly complicated by his having to hide his homosexuality in order to continue to work professionally. The American public while accepting many things as long as they were hidden, were not ready to tolerate their "idols" having homosexual tendencies.

    If this was not enough burden to carry, after a serious horseback riding accident in 1937,
    Porter was left disabled and in constant pain, but he continued to work. His music continued to lift the spirits of a depressed public and he was able to do that without pandering to the lowest common denominator.

    His music celebrated the power of love and provided meaning in a world where little else made sense.
    His music presents love as a personal almost subversive force, that enabled all who listened to rise above life's hardships. In an era that was dominated by the strict and overwhelming Victorian repression, Porter through his music, and his generation, overturned many oppressive values in a similar way that the 1960's generation overturned the conservative attitudes and values that hung over from the post WWII era.

    As the liner notes declare, "In fact, a direct parallel can be drawn between the simple power of Porter's "Let's Do It, Let's Fall In Love", and John Lennon's "All You Need Is Love"."

    As Rock music began to evolve, the sophistication of Cole Porter's compositions proved to be far too polished and so the roots of Rock and Roll looked toward bluesmen like Robert Johnson and the myriads of other similar forms of music for its inspiration and evolution. Then as history shows, the pop sophistication that eventuated out of the development of Rock and Roll failed to evolve, and rather devolved into cliche and what might be best described as electro-pap!

    Searching for forms that might help rejuvenate modern pop music artists looked toward all forms of "world music", but it was inevitable that somewhere along the way the music of Cole Porter would be "re-discovered".

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    Cole Porter

    About the time that artists were looking at the work of porter and other earlier composers, we were struck by the tragic and terrible AIDS epidemic. Looking for a way to get an effective message out about the necessity for safe sex while at the same time fighting the stigma of being HIV positive or having AIDS, the need for an affirmative, reassuring message underpinned by love, led artists to the conclusion that the work of Cole Porter was indeed a most appropriate platform from which a series of anthems for life in the nineties and beyond could be provided.

    So the music on this CD not only revives Porter's work, for the first time in any serious way post WWII, it not only reinvigorated 'Rock Music", but it contains that important message of hope and love that is needed in difficult times, and again challenges the inflexible conservative morals that are constantly being poured down our throats, in much the same way that porter had to face because of his homosexuality.

    As the liner notes state, "WE MUST SUPPORT EVERYONE'S RIGHT TO LOVE."

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    From the accompanying booklet

    The booklet accompanying this CD could easily be ridiculed as it spends very little effort in talking about the artists and makes almost no mention of the tracks. It has 12 double sided pages in colour and focuses on Cole Porter and the issue of AIDs and that is what the project was about! How can i complain about that? I can't, but,it would have been nice to had just a little info on each artist that contributed.

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    Track Listing

    1. "I've Got You Under My Skin" performed by Neneh Cherry
    2. "In the Still of the Night" performed by The Neville Brothers
    3. "You Do Something to Me" performed by Sinéad O'Connor
    4. "Begin the Beguine" performed by Salif Keita
    5. "Love for Sale" performed by Fine Young Cannibals
    6. "Well, Did You Evah!" performed by Deborah Harry & Iggy Pop
    7. "Miss Otis Regrets / Just One of Those Things" performed by The Pogues & Kirsty MacColl
    8. "Don't Fence Me In" performed by David Byrne
    9. "It's All Right with Me" performed by Tom Waits
    10. "Ev'ry Time We Say Goodbye" performed by Annie Lennox
    11. "Night and Day" performed by U2
    12. "I Love Paris" performed by Les Negresses Vertes
    13. "So in Love" performed by k.d. lang
    14. "Who Wants to Be a Millionaire?" performed by Thompson Twins
    15. "Too Darn Hot" performed by Erasure
    16. "I Get a Kick" performed by The Jungle Brothers
    17. "Down in the Depths" performed by Lisa Stansfield
    18. "From This Moment On" performed by Jimmy Somerville
    19. "After You, Who?" performed by Jody Watley
    20. "Do I Love You?" performed by Aztec camera

    There is not a dud track on this CD, and why would there be? This is some of the best compositions ever written, and here we have them interpreted by artists who are widely acclaimed for their talent.

    The interpretations are quite brilliant and at times we have subtle but important changes to the lyrics such as Neneh Cherry has done in the opening track, "Ive Got You Under My Skin."

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    Neneh Cherry

    I believe Neneh Cherry has a wonderful voice and she works hard in this track to both pay appropriate homage to the 'man', as well as to strongly push her message.

    Spreadin faster than an eye can blink
    So I had to sit down and take time to think
    Of how to spread the word to people all across the land
    To make sure they putting out a helping hand
    Neneh Cherry notice hurry so it must be told
    About a group of people left in the cold
    Caught by a plague slowly they fade
    From immune deficiency you see called "AIDS"
    No knowledge of the facts, kept in the dark
    Scolds my soul and it hurts my heart
    The young and elderly just running blind
    Hurts so bad they denied their own kind
    Papa turned around and said that ain't mine
    It just made it hard for life on the line
    And it's a shame to see a little child mature
    Growing up knowing that there ain't no cure
    I've got you under my skin
    I've got you under my skin
    ... Pure pain they give me...
    I had a friend once by the name of MARY JANE
    Out with the guys and getting high was her only game
    And now the tears in her eyes, there she lies
    It drove her crazy, all the boys say that's it
    I told you so but you reached the point of no return
    Instead of pride you take the hardest way you had to learn
    Oh mommy dearest, don't you know that I miss her so
    That's why I sing this song
    Just to let her know
    I've got you under my skin
    I've got you under my skin
    I've got you deep in the heart of me
    Down so deep in any part of me
    I've got you, got you, got you under my skin
    I've got you deep in the heart of me
    Down so deep in any part of me
    I've got you, got you, got you under my skin
    Use your mentality, wake up to reality
    I've got you deep in the heart of me
    Share your love, don't share the needle.


    Ive Got You Under My Skin

    Salif Keita uses his unique vocal style to provide an interpretation of Begin the Beguine that may have caught the attention of Cole Porter had he been alive.

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    Salif Keita

    Focusing on his background of being born in Mali, his arrangement whilst being of a western idiom, certainly has an 'Afro" feel, and he makes use of his reputation of being "The Golden Voice of Africa."


    Begin the Beguine

    Track # 8 features that well known music 'Geek" David Byrne, who puts his own unique style on Don't Fence me In.

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    David Byrne

    I think Byrne's own description of his interpretation of this track, as being "Brazilian" describes it beautifully and the heavy use of percussion is fantastic.


    Don't Fence Me In


    The final track I chose, and it was very hard because all tracks deserve mention, is track # 9 - Its All Right By Me, by Tom Waits.

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    Tom Waits

    Using his own droll/dry style of delivery somehow fits this track perfectly. His musical interpretation of Porters music is both weird and beautiful. Waits "sings" and grunts his way through this track and some folk might pillory me, but I'm not a Tom Waits fan. However, I seriously love this track.



    Its All Right By Me

    Red Hot and Blue
    is a magnificent piece of work as it did bring the work of one of the 20th Centuries greatest composers back to life, both reminding us of the mans remarkable talent, whilst introducing to new generations his music. This alone would have been sufficient reason for the CD coming into being, but when it supported such a vital campaign as HIV/AIDS awareness it took the work into an even higher level of desirability.

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    Rear of the booklet

    Who ever chose the artists is also to be congratulated because each and every one have provided a fresh new interpretation which in turn proves that quality compositions can be made relevant to any era.


    If you have heard this work, or indeed if you have it in your collection I hope this retro-review has reawakened your love for the work.

    If you have not heard it, I hope you will want to hear more, and I urge you to buy it and add it to your collection. This is a MUST in any collection.
    It is readily available on Ebay for between $15.00 and $35.00, but a word of warning, there is also a CD available called "Red Hot & Blue the Music of Cole Porter", which is the music as Porter wrote it and was originally recorded. That may be a righteous purchase, but is is NOT this CD!

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    VIDEOS - There is a good selection of material from this CD on YouTube and I have located five tracks for your consideration.


    The Neville Brothers – In The Still of the Night


    Debbie Harry & Iggy Pop - Well Did You Evah


    U2 - Night and day


    The Jungle Brothers - I Get a Kick


    Erasure – Too darn Hot


    Previous Cream of the Crate Albums

    If you are interested in checking out the first fifty vinyl albums reviewed, just click HERE

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    Cream of The Crate CD Reviews

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