Announcement

Collapse
No announcement yet.

Cream of The Crate: Album # 174 - Various Artists: The Unissued 1963 Blues Festival

Collapse
X
Collapse
  •  

  • Cream of The Crate: Album # 174 - Various Artists: The Unissued 1963 Blues Festival

    These historic performances were captured as the '63 American Folk Blues Festival made its triumphant progress across europe."(Mick "Frenchie" Atherton - liner notes)

    "
    The opportunity of hearing Sonny Boy Williamson, Memphis Slim, Matt "Guitar" Murphy, Willie Dixon and Billy Stepney playing live, together, is an opportunity that should not be missed."
    (This review)

    Click image for larger version

Name:	The-Unissued-1963-Blues-Festival_Front-Cover.jpg
Views:	3
Size:	50.5 KB
ID:	75802

    This is album review number One hundred and seventy four in the series of retro-reviews of both vinyl and CD albums from my collection.


    The series is called Cream of The Crate and each review represents an album that I believe represents significant musical value, either because of its rarity, because it represents the best of a style or styles of a music or because there is something unique about the music, the group or the particular production. The first fifty reviews were based on vinyl albums from my collection, with the following fifty on CD albums from my collection. Links to all these reviews can be found at the bottom of the page.

    I've pulled some great albums from my own crate over the past few weeks, but time to return to one of my favourite music forms - the American Blues!

    This vinyl album is titled - The Unissued 1963 Blues Festival. Released on the Red Lightnin label in 1986, it has the identifying code of RL0060. The album has eleven tracks, six on side 1 and five on side two.

    Click image for larger version

Name:	The-Unissued-1963-Blues-Festival---Vinyl-label.jpg
Views:	3
Size:	47.1 KB
ID:	75803

    Now the music on this album is being played by what can only be described as an "all-star lineup band".

    Sonny Boy Williamson [II] - Harmonica & vocals
    Matt "guitar" Murphy - Guitar
    Memphis Slim - Piano & vocals
    Willie Dixon - Bass
    Billy Stepney - Drums

    So just how did all this come together? The
    1963 American Folk Blues Festival toured across Europe and the music from this tour was released originally on the Fontana label. However the concert played at Oberhausen, located in what was then West Germany, remained largely unheard, except for bootleg tracks played on a small French radio station in 1985.

    Click image for larger version

Name:	Dixon,-Slim,-Murphy-&-Stepney.jpg
Views:	3
Size:	47.0 KB
ID:	75807
    Willie Nixon, Memphis Slim, Matt Murphy & Billie Stepney - European Tour

    I'm uncertain as to why it took some 23 years for this album to be released, but that performance at Oberhausen is captured on this album. The one distracting thing is the "hum" on various tracks. According to the liner notes this hum was recorded along with the music and was due to a faulty microphone lead. I ran the tracks through some cleaning software and it has removed some of it, but anymore and it would have seriously compromised the recording, so we grin and cope with it because the music is worthwhile.

    Track Listing:

    Side 1.
    i.
    Memphis Slim - Wish Me Well
    ii.
    Memphis Slim - I Wrote This Song
    iii. Memphis Slim - All By Myself
    iv. Sonny Boy Williamson - 99
    v. Sonny Boy Williamson - Bye Bye Bird
    vi. Memphis Slim - In The Evening


    Side 2.
    i.
    Matt "Guitar" Murphy - Grooving On Bounce [Instrumental]
    ii.
    Matt "Guitar" Murphy - Taking Off [Instrumental]
    iii.
    Sonny Boy Williamson - All My Love In Vain
    iv.
    Sonny Boy Williamson - Don't Start Me Talking
    v.
    Sonny Boy Williamson - Blues Brother

    Click image for larger version

Name:	The-Unissued-1963-Blues-Festival---Credits.jpg
Views:	3
Size:	48.7 KB
ID:	75805

    Even though this is an album of live performances and so doesn't follow my theory that applies to "studio albums", that is track one is the album calling card, it is in fact still a fine track indeed to commence with.
    Wish Me Well is a track that is led by Memphis Slim. Now I have a Memphis Slim album coming up on a future Cream of The Crate retro-review, so I'll keep detailed comments about his background until that review.

    Suffice to say that
    Memphis Slim is both a damn fine blues singer as well as master of the blues piano. Now Slim happened to be living in Europe, in fact he had been living there since 1960. So when this tour took place, in many ways he was home. When he wasn't on stage singing he was acting as master of ceremonies during this concert. He had suffered a mild stroke a few years previously, but he also overcome it magnificently and as you will hear is indeed in fine form.

    Click image for larger version

Name:	Memphis Slim.jpg
Views:	3
Size:	44.4 KB
ID:	75808
    Memphis Slim

    The track
    Wish Me Well was a song he first recorded back in the USA in 1954 and the guitarist that accompanied him on that original recording was non other than Matt Murphy, fondly known by all blues aficionados as Matt "Guitar" Murphy, out of respect for his playing. So how appropriate was it that when this track was recorded some seven years later, that Memphis Slim was reunited with "Guitar" Murphy who plays not just good guitar, he plays great guitar!


    Wish Me Well


    Track 3 is also by Memphis Slim and it titled All By Myself. With this track Memphis Slim bumps the pace up several notches.
    The track was originally recorded by Slim with Big Bill Broonzy.Memphis Slim introduces this very fine, almost "barrelhouse" blues style track, but in fact the whole track is suggestive of a variety of styles with the barrelhouse feel giving it an early form of jazz with wild, improvised piano and an accented two-beat rhythm not unlike Boogie Woogie. Yet it hidden away within it is definitely the suggestions of the early beginnings of rock and roll, and I'll be damned if toward the end we don't seem to be heading for Latin America!


    All By Mys
    elf

    By the time we come to track 4 we have come to the first track by Sonny Boy Williamson. Now Sonny Boy (the second) was an enigma wrapped up in a solid blues cloth. The story goes he had many names for himself and if you asked him his real name he might just give you yet another version and also give a different version of his date and place of birth. It all appears as though it was depending upon the mood he was in.

    It is generally accepted that his real name was Alex (although many will argue it was Aleck) Miller, and that he was born in Glendora in Mississippi sometime in the 1890's, although Wikipedia claims it was 1912. The only thing writers seem to agree upon is death date - May 25, 1965. In the minds and hearts of blues fans was he was something akin to the "Second Coming" and when you listen to his vocals and brilliant harp (harmonica) playing, you might also agree. He was reputed as being tough and ornery and hard to get on with, except on stage as this amazing recording shows. He was one of the great communicators, and most certainly a "craftsman" of the blues.

    Click image for larger version

Name:	Sonny-Boy-Williamson-II.jpg
Views:	3
Size:	22.3 KB
ID:	75810
    Sonny Boy Williamson II

    I just love the way when he sings it is as if he was sharing state secrets through to the inner secrets of his life, with a very close friend - that friend being the entire audience. Then there is his hap playing which is just beyond belief and so eerily expressive. Any other backing on this track would have been redundant, so just sit back and enjoy absolutely and totally unadulterated blues singing and harp playing the like you will never hear by anyone else.

    To me the track is about human greed - a big call - but regardless the audience sat in utter delightful and reverent silence until the end.

    Darling you know exactly what happened, last year just about this time
    Yes you know exactly what happened, last year just about this time
    You asked me for one hundred dollars, and I didn't have but ninety nine

    Yes I'm in love with the little girl, just because she's so nice and kind
    I'm in love, I'm in love with the little girl, just because she's so nice and kind
    I was so sorry when she asked me for one hundred dollars,
    I couldn't give her but ninety nine

    Yes my baby taken sick on July twenty-nine
    Yes the one I love she taken sick on July twenty-nine
    Her doctor billed her four hundred dollars,
    And I didn't have but three hundred and ninety nine.


    99


    For the final track on side 1 we return to Memphis Slim, and his last featured track called In The Evening. This is a track that is presented in a beautiful blues ballad style. The piano and the guitar playing Matt Murphy is just so delicate and along with the drumming of Billy Stephany and the subtle bass of the mighty Willie Dixon, he provides us with a delightful piece of blues.

    There is something about this track that tells us that these guys just fit together like a hand in glove - nothing is forced, space rules and each player is able to comfortable find their place in the music without the overall piece being filled. Sublime blues!


    In The Evening


    Click image for larger version

Name:	Tour-poster.jpg
Views:	3
Size:	48.3 KB
ID:	75814

    Kicking off side 2 of this remarkably rare album is Matt "Guitar" Murphy, with Grooving On Bounce". Born in 1929 in the home of the blues - Mississippi and during the years of the Great Depression, Matt Murphy is a truly great blues guitarist. Yet until the making of the the two Blues Brothers movies, he remained relatively unknown except to blues music aficionados.

    What many people don't realise is that the Blues Brothers, which included Murphy, was indeed a working band prior to the making of the movies and indeed, has continued after the death of James Belushi with rotating membership. Murphy's career is quite amazing in as much as, in 1948 he was playing in the Howling Wolf Band alongside Little Junior Parker, worked with Memphis Slim and did years of session work with music luminaries such as Ike Turner, Muddy Waters, James Cotton, Otis Rush, Etta James, Sonny Boy Williamson II, and Chuck Berry
    .

    Click image for larger version

Name:	Matt Gutar Murphy.jpg
Views:	3
Size:	44.8 KB
ID:	75811
    Matt "Guitar" Murphy

    Despite a debilitating stroke in 2003, he has almost totally recovered and is still playing today.

    Yet, he did not have his own band until 1982 and did not bring out his first album - Way Down South, until 1990. The tour that this album was taken from, ranged wide and far and Matt Murphy really did more than hold his own, he "killed" the audiences with his playing. Now while the track Grooving On Bounce is indeed a fine track indeed, it is track 2 on side 2 - Taking Off, where he and his guitar playing really does, take off!

    This track is a "mother" of a hip shaking track that explodes across the speakers, and I guess if you saw the concert live, across the stage. It is rumoured that Murphy warms up his fingers playing Django Reinhardt solos!!! Well, I'm a believer, because the speed at which his fingers fly across the frets makes you wonder if he has seven fingers on his hand.


    Taking Off

    The final three tracks on this side are all by the venerable Sonny Boy Williamson, and I have chosen to look at tracks 3 and 5. When Matt Murphy had finished playing Taking Off, I guess the audience could rightly be expected to be thinking, how the hell is that going to be topped? What can compete with that piece of music?

    Well, needless to say Sonny Boy strolled onto the stage and proceeded to blow his harp and blow the minds of the entire audience with an astounding version of All My Love In Vain. Now this track should not be confused with the Robert Johnson track "Love In Vain", successfully covered by the Rolling Stones. All My Love In Vain is no slow solemn piece of blues, this is quite an uptempo piece and, Matt Murphy is obviously still 'warm" from his previous track, as he contributes a nice piece of guitar work to compliment Williamsons harp and some nice piano work by Memphis Slim.


    All My Love In Vain


    It is appropriate the Sonny Boy closed this particular show, because despite the amazing talent on the stage, he was indeed the highlight. The final track, track 5 is Blues Brother. This track is beautiful "downtempo" piece of blues that is loaded with deep, serious, almost sepulchral singing supported by sombre, but brilliant harp playing. It is easy to imagine him stooping at the microphone, gazing into the distance, into his memories with a look of emotion (and considerable Johnny Walker), his harp cupped in one hand and the audience in the other.

    Click image for larger version

Name:	Sonny-Boy-on-harp.jpg
Views:	3
Size:	48.5 KB
ID:	75809

    A memorable final track by one of the true blues greats, who very sadly passed away less than two years later in 1965. It is not a flippant comment to say, "his like will never pass this way again"!


    Blues Brother

    There were other recordings made of this tour, and they are really excellent, but there is something special about this lineup combination and really, the music on this album could not be surpassed.

    Click image for larger version

Name:	The-Unissued-1963-Blues-Festival---Rear-cover.jpg
Views:	3
Size:	50.0 KB
ID:	75806

    Despite the annoying "hum" that was recorded and breaks through at times, this is a worthy album to have in a collection. The opportunity of hearing Sonny Boy Williamson, Memphis Slim, Matt "Guitar" Murphy, Willie Dixon and Billy Stepney playing live, together, is an opportunity that should not be missed. Brilliance is as brilliance does - and these guys are brilliant!


    Click image for larger version

Name:	Billy Stepney-&-Matt-Murphy.jpg
Views:	3
Size:	47.5 KB
ID:	75812
    Matt Murphy & Billie Stepney
    Click image for larger version

Name:	willie-dixon.jpg
Views:	3
Size:	48.8 KB
ID:	75813
    Willie Dixon


    The album The Unissued 1963 Blues Festival was re-released on CD in 1999 but there are still copies of this original vinyl available through Discogs for as little as about $16.00 through to $50.00. It is rare and it IS worth having.

    Click image for larger version

Name:	The-Unissued-1963-Blues-Festival_VSml-Front-Cover.jpg
Views:	3
Size:	49.2 KB
ID:	75804

    VIDEOS - the only film of these artists on this tour were in 60 minute clips, so I edited out these clips to demonstrate the class and skill of the artists we have looked at.


    Sonny Boy Williamson II - Keep It To Yourself


    Memphis Slim playing on the 1963 European Blues Tour


    Matt "Guitar" Murphy, Billy Stepney & Memphis Slim Live at the 1963 European Blues Festival



    If you are interested in checking out the first fifty vinyl albums reviewed, just click here

    Click image for larger version

Name:	Vinyl_v-sml.jpg
Views:	156
Size:	14.3 KB
ID:	75815


    If you are interested in checking out the first fifty (50) CD's reviewed, just click here

    Click image for larger version

Name:	CD-Rack-V_Sml.jpg
Views:	53
Size:	39.4 KB
ID:	75816


    If you are interested in checking out reviews 101 to 150 (Vinyl & CD), just click here

    ​​
    Click image for larger version

Name:	CDs-and-LPs_Sml.jpg
Views:	56
Size:	42.7 KB
ID:	75817
    ​​​
    Past album Reviews - Numbers 151 onward:

    Number 151 - The Shaggs: Philosophy Of The World
    tooraktimes.com.au/content.php/5204-Cream-of-The-Crate-Album-151-The-Shaggs-Philosophy-Of-The-World

    Number 152 - The Animals: The Animals
    tooraktimes.com.au/content.php/5231-Cream-of-The-Crate-Album-152-The-Animals-The-Animals

    Number 153 - Omar Khorshid: Live in Australia 1981
    tooraktimes.com.au/content.php/5288-Cream-of-The-Crate-Album-153-Omar-Khorshid-His-Group-Live-In-Australia-1981


    Number 154 - Alan Parsons Project: Tales of Mystery and Imagination (Edgar Allan Poe)
    tooraktimes.com.au/content.php/5333-Cream-of-The-Crate-Album-154-The-Alan-Parsons-Project-Tales-of-Mystery-and-Imagination-Edgar-Allan-Poe

    Number 155 - Billy Thorpe: Tangier
    tooraktimes.com.au/content.php/5369-Cream-of-The-Crate-Album-155-Billy-Thorpe-Tangier


    Number 156 - Aretha Franklin: The Best Of
    tooraktimes.com.au/content.php/5397-Cream-of-The-Crate-Album-156-Aretha-Franklin-The-Best-Of

    Number 157 - Big Bill Broonzy: Big Bill Blues [His 23 Greatest Songs]
    tooraktimes.com.au/content.php/5439-Cream-of-The-Crate-Album-157-Big-Bill-Broonzy-Big-Bill-s-Blues-(his-23-greatest-songs)

    Number 158 - The Supremes: Where Did Our Love Go
    tooraktimes.com.au/content.php/5471-Cream-of-The-Crate-Album-158-The-Supremes-Where-Did-Our-Love-Go

    Number 159 - The Band: Stage Fright
    tooraktimes.com.au/content.php/5499-Cream-of-The-Crate-Album-159-The-Band-Stage-Fright

    Number 160 - Ray Brown & The Whispers: Hits and More 1965 - 1968
    tooraktimes.com.au/content.php/5523-Cream-of-The-Crate-Album-160-Ray-Brown-And-The-Whispers-Hits-More-1965-1968

    Number 161 - Guitar Junior: The Crawl
    tooraktimes.com.au/content.php/5553-Cream-of-The-Crate-Album-161-Guitar-Junior-The-Crawl

    Number 162 - Jimi Hendrix: Radio One
    tooraktimes.com.au/content.php/5567-Cream-of-The-Crate-Album-162-Jimi-Hendrix-Radio-One

    Number 163 - Memphis Minnie: Queen Of The Blues
    tooraktimes.com.au/content.php/5574-Cream-of-The-Crate-Album-163-Memphis-Minnie-Queen-Of-The-Blues

    Number 164 - Eno: Taking Tiger Mountain (By Strategy)
    tooraktimes.com.au/content.php/5583-Cream-of-The-Crate-Album-164-Eno-Taking-Tiger-Mountain-(by-Strategy)

    Number 165 - The Loved Ones: Magic Box
    tooraktimes.com.au/content.php/5611-Cream-of-The-Crate-Album-165-The-Loved-Ones-Magic-Box

    Number 166 - Various Artists: On The Road Again [An Anthology Of Chicago Blues 1947 - 1954]
    tooraktimes.com.au/content.php/5620-Cream-Of-The-Crate-Album-166-On-The-Road-Again-An-Anthology-of-Chicago-Blues-1947-1954

    Number 167 - Janis Joplin: Greatest Hits

    tooraktimes.com.au/content.php/5629-Cream-of-The-Crate-Album-167-Janis-Joplin-Greatest-Hits

    Number 168 - David Bowie: Ziggy Stardust
    tooraktimes.com.au/content.php/5637-Cream-of-The-Crate-Album-168-David-Bowie-Ziggy-Stardust-The-Motion-Picture


    Number 169 - Red Hot Chili Peppers: Californication
    tooraktimes.com.au/content.php/5645-Cream-of-The-Crate-Album-169-Red-Hot-Chilli-Peppers-Californication

    Number 170 - Chain: Two Of A Kind
    tooraktimes.com.au/content.php/5652-Cream-of-The-Crate-Album-170-Chain-Two-Of-A-Kind

    Number 171 - Bob Marley and The Wailers - Legend
    tooraktimes.com.au/content.php/5661-Cream-of-The-Crate-Album-171-Bob-Marley-Legend

    Number 172 - Coco Taylor: What It takes
    tooraktimes.com.au/content.php/5675-Cream-of-The-Crate-Album-172-Koko-Taylor-What-It-Takes

    Number 173 - Stevie Wonder: Original Musiquarium
    tooraktimes.com.au/content.php/5685-Cream-of-The-Crate-Album-173-Stevie-Wonder-Original-Musiquarium

      Posting comments is disabled.

    Categories

    Collapse

    article_tags

    Collapse

    Latest Articles

    Collapse

    • Listen To Older Voices: Bob Bright - Part 4
      by Rob Greaves
      Welcome to Listen To Older Voices, a program produced Rob Greaves for Wesley Mission Victoria and podcast through the Toorak Times.

      Listen To Older Voices presents the stories, views and opinions of our older citizens. It is predominantly in a life & times format, with interviewees reflecting upon their lives from earliest memories. An underlying principal of the program is to promote the concept of positive ageing, reinforcing the principle that older people have & continue to make a valuable contribution to both their local & wider community.



      ...
      11 September 2016, 08:48 AM
    • Cream of The Crate: Album # 200 - Australian Compilation: The Complete Havoc Singles (1971 - 1973]
      by Rob Greaves
      "A really stunning & great looking digi-pack from Aztec Records, compiling all the singles from the Australian Havoc Records label in the 70's." (Record Heaven)
      "
      An excellent collection of early 70's Australian Rock / Pop/."
      (Rock On Vinyl)
      "
      Aztec Music prides itself on preserving Australia's rich music history and with this release, they do it with class and style."
      (This review)




      This is album review number Two Hundred in the series of retro-reviews of both vinyl and CD albums from my collection.
      ...
      26 August 2016, 10:32 AM
    • Cream of The Crate: Album # 199 - Lightning Hopkins: The Gold Star Series Vol 1
      by Rob Greaves
      "The blues is born with you. When you born in this world, you were born with the blues. (Lightnin’ Hopkins, 1967)
      "
      Sam (Lightnin') Hopkins, one of the great country blues singers and perhaps the greatest single influence on rock guitar players." (New York Times Obituary, Feb 1, 1982 )
      "These are not necessarily the best known Lightnin' Hopkins tracks, but in many ways that makes this CD even more valuable."
      (This review)



      This is album review number One Hundred and Ninety Nine in the series of retro-reviews of both vinyl and CD albums from my collection.
      ...
      19 August 2016, 10:24 AM
    • Cream of The Crate: Album # 198 - John Lennon: Plastic Ono Band
      by Rob Greaves
      "The reality of Plastic Ono Band is that it contains eleven of Lennon’s most accessible and gorgeous melodies and riffs." (Gerry Mullholand - BBC review 2010)
      "An album that will be as much analysed as Sgt. Pepper over the years." (Billboard - 1971)
      "
      It remains one of the most audacious, iconoclastic albums in all of rock and roll." (Guitar World 2016)
      "
      The album certainly shows that he had yet to work through many unresolved matters, and that he still had much anger in him. However he was a brilliant man and knew how to channel these elements in such a way to create some brilliant, memorable and haunting tracks." (This review)


      ...
      11 August 2016, 12:14 PM
    • Cream of The Crate: Album # 197 - Sam and Dave: The Best Of
      by Rob Greaves
      "Sam Moore and Dave Prater's string of soul and pop hits made them the '60s' most successful black vocal duo." (The Rolling Stone Encyclopedia of Rock & Roll (Simon & Schuster, 2001)
      "Sam & Dave created some of their century's most enduring music in the pop form." (Stylus Magazine January 2007)
      "
      There can be no argument that as a duo, Sam and Dave introduced the previously successful sound of the black church music, so successfully to pop music." (This review)



      This is album review number One Hundred and Ninety Seven in the series of retro-reviews of both vinyl and CD albums from my collection.
      ...
      5 August 2016, 08:52 AM
    • Cream of The Crate: Album # 196 - Ma Rainey: Ma Rainey
      by Rob Greaves
      "Her deep, almost-vibratoless contralto sounded rough and unsophisticated compared to other commercial blueswomen but she projected a great depth of feeling and was adored by audiences." (US Library of Congress
      "Ma Rainey was one of the first singers to popularize the style (the blues)." (Joe McGasko - Bio May 2015)
      "
      When we listen to Ma Rainey, the recordings are very crude, but even so the power and mesmerism of her voice shows that pure talent and commitment to an audience makes Ma Rainey stand out even more today.
      " (This review)



      This is album review number One Hundred and Ninety Six in the series of retro-reviews of both vinyl and CD albums from my collection.
      ...
      29 July 2016, 10:18 AM
    Working...
    X